Release Date Nitro Circus: The Movie 3D Aug 8, 2012 Limited
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Actors For Nitro Circus: The Movie 3D
Travis Pastrana,Jolene Van Vugt,Gregg Godfrey,Tommy Passemante,Jeremy Rawle,Aaron Fotheringham,Greg Powell
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Twenty-six directors. Twenty-six ways to die. The ABC's OF DEATH is perhaps the most ambitious anthology film ever conceived with productions spanning fifteen countries and featuring segments directed by over two dozen of the world's leading talents in contemporary genre film. Inspired by children's educational books, the motion picture is comprised of twenty-six individual chapters; each helmed by a different director assigned a letter of the alphabet. The directors were then given free reign in choosing a word to create a story involving death. Provocative, shocking, funny and ultimately confrontational, THE ABC's OF DEATH is the definitive vision of modern horror diversity. (c) Magnolia
Troy Billings is seventeen, overweight, and suicidal. Just as he's about to jump in front of a bus, he's saved by Marcus, a charming high school dropout/street musician. The two begin an uneasy friendship when Marcus enlists the musically challenged Troy to become the drummer in a newpunk rock band. As Troy's relationship with Marcus grows, Troy's father becomes increasingly concerned about his son's new friendship. -- (C) Official Site R
Alex Cross follows the young homicide detective/psychologist (Tyler Perry), from the worldwide best-selling novels by James Patterson, as he meets his match in a serial killer (Matthew Fox). The two face off in a high-stakes game of cat and mouse, but when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits in this taut and exciting action thriller. -- (C) Lionsgate PG-13
After exploring the worlds of toys and bugs in the two Toy Story films and A Bug's Life, the award-winning computer animation company Pixar delves into the realm of monsters with its fourth feature. Hulking, blue-furred behemoth James P. "Sully" Sullivan (John Goodman) and his one-eyed assistant Mike Wazowski (Billy Crystal) are employed by Monsters, Inc., a scream processing factory. It seems that the denizens of their realm thrive on the screams of kids spooked by monsters lurking under their beds and in their closets. It's the job of Sully, Mike, and their co-workers, including sarcastic Randall Boggs (Steve Buscemi), crab-like CEO Henry J. Waternoose (James Coburn), and lovely snake-headed receptionist Celia (Jennifer Tilly) to keep the frights flowing. When Sully and Mike are followed back into the monster world by a very unafraid little human girl named Boo (Mary Gibbs), they are exiled to her universe, where they discover that such a modern-day mythological specimen as the Abominable Snowman is a fellow refugee. ~ Karl Williams, Rovi
Straight-A college student Jeff Chang has always done what he was supposed to do. But when his two best friends Casey and Miller surprise him with a visit for his 21st birthday, Jeff Chang decides to do everything he wants to do for a change, even though his important medical school interview is early the next morning. What was supposed to be one beer becomes a night of humiliation, over indulgence and utter debauchery in this coming-of-drinking-age-comedy, from the writers of THE HANGOVER, about living youth to its fullest.
Dan Sallitt's remarkable, boldly conceived fourth feature is a vivid character study of Jackie, a charismatic, fiercely intelligent, soulful young woman struggling to navigate the choppy waters of adolescence, and nurturing an intense emotional attachment to her older brother that crosses over unmistakably into incestuousness. A critic and blogger as well as a filmmaker, Sallitt has established a unique and confident voice, both in his writing and in his long-gestating but always impressive feature films (all of which will be screening at Anthology on this calendar). A great admirer of (and profoundly astute commentator on) the work of such masters of behavioral cinema as Eric Rohmer, Maurice Pialat, and Mikio Naruse, Sallitt is perhaps contemporary American cinema's foremost keeper of their flame, and THE UNSPEAKABLE ACT a deeply moving example of his craft. (c) Anthology
